Traveling to Romania

History, Nature, Places, People.

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Danube Delta – hidden paradise

The Danube River is probably the most shared river on Earth, its course running across (or forming parts of the borders of) ten countries: Germany, Austria, Slovakia, Hungary, Croatia, Serbia, Romania, Bulgaria, Moldova and Ukraine, and four capitals: Vienna, Bratislava, Budapest and Belgrade. After a journey of 2860 km in which 80% of the European hydrographic basin is absorbed, the river empties into the Black Sea through a magnificent delta that represents the youngest European territory, being in a continuous development.

Danube DeltaDanube Delta was declared Biosphere Reserve in 1990 and has the third largest biodiversity in the world (over 5,200 flora and fauna species), exceeded only by the Great Barrier Reef in Australia and the Galapagos Archipelago in Ecuador. And this richness of biodiversity is recorded in only 5800 km2

That should be enough to know for those interested to include Danube Delta in their plans for the next holiday.

The visitors will find here a complex of aquatic and terrestrial ecosystems, structurally and functionally distinctively in different units that are tightly interconnected and interdependent, giving to this zone the status of ”unicum ecologicum” within the delta’s system. By its dimension, this complex of ecological units is the most important wetland area of south-eastern Europe, having an important contribution to the regional and global water cycle, being also a main buffer zone (chemical filter) located between the Danube with its hydrographic basin on the one hand and the north-western part of the Black Sea on the other.

wetlandThe water land is prevalent, so flora and fauna will be aquatic. The terrestrial medium is also present with a xerophyle flora and an adequate fauna, specific for the east-European steppe with Mediterranean influences. Between these two mediums the swampy, easily flooded medium is interposing, having alternative possibilities of adaptation (water, land) depending on the seasonal and yearly hydrological regime.

For the time being, this ecological system includes small backwaters, marshes, ponds, lakes, floating reed islands, flooding zones, the Danube’s branches and a rich network of brooks and channels (natural or man-made), through which the aquatic ecosystems are interconnected; the terrestrial parts include large sandy banks, generated by the marine streams which blocked the sediments dispersal, as well as smaller sandy banks spread along the Danube’s branches and the main channels, created by the river itself.

As a unique ecological system, the Delta represents a scientific reservoir for the further development of the theoretical basis of ecology; the diversity of biotopes, of food resources, as well as its geographical position, made the Delta a junction point on birds’ migration routes, the inventory reaching over 300 species, including several globally-threatened species.

Pelicans and Cormorants

The heterogeneity of the ecological structure and biological diversity generated, granted the role of aesthetic resource and world heritage component for this territory.

Owing to its mild climate, natural richness and geographic location, people have long been attracted to the Danube Delta and it has possessed economic, political and strategic importance since ancient times. Proofs of substantial permanent settlements from Greek and Roman times are provided by different discoveries of fortifications and urban areas, along the Danube, the continental side of the delta as well as the Black Sea shore.

Fisherman1With few exceptions, the actual human settlements from delta were built in late Middle age by different ethnic foreign groups, mixed up with the locals. Nowadays villages surrounding the Delta show Turkish, Russian Lipovan and Ukrainian influence. That’s why the area of Danube Delta stands out as a development center of a traditional civilization with particular characteristics owed mainly by the assimilation phenomenon between the autochthonous Romanians and the other ethnics.



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Dobrogea is a region that never ceases to amaze me. It has an inner attraction hardly to be identified from a first perspective. One can find dull and boring this place almost flat with endless miles of arid steppe fields and traversed by frozen winter winds. Important is to change the perspective and to“carve” deeper to find its beauty.

The region is like a square bordered by water at three sides, Danube and the Black Sea, in a total contrast with its dry climate and the inside river system, poor and scarce. The main feature of the landscape (with the exception of the northern territory) is a plateau gently sloping down towards the Black Sea. This plateau includes the oldest rocks from the Romanian territory, 1,5-2 billion years green schists, pointing out another contrasting proximity with the newest territory of Romania, the 12,000 years old Danube Delta.

peisaj_dobrogeaTherefore, the land is the result of a long geologic evolution, under an active tectonic activity that conclusion in a multitude of land features: platforms/plateaus, tectonic depressions, contact type valleys, limestone elements, fragmented volcanic ridges, and so other.

The southern and central parts are generally similar: almost flat and fragmented by beautiful deep valleys carved mainly in limestone and covered by a thick layer of loess, up to 20m. Interesting to mention here Cheia Gorge (Gura Dobrogei), formed in a warm sea with coral and atoll formations. Moving to North, the geological complexity changed the land perspective on the vertical. GabrielG@Panoramio copyImpressive hills modeled by the differential erosion dominate the flattened pediments, the remnants of originally Hercynian 4000m heights Macin Mountains, now barely over 400m attracting the visitors with their lunar aspect. The steppe shrub is replaced by steppe forests that hide exotic wonders like Mediterranean and Tropical species.

In addition, Dobrogea captivates with the particular species of flora and fauna, due to its geographical situation and proximity of the sea; it represents the western extension of few of the Asian steppe species (plants and birds), together with tropical and Mediterranean fauna and plant species – the last ones were brought mainly by birds along the Via Pontica migratory way in which Dobrogea is comprised.

This land was inhabited since the ancient times. Besides the material proofs from the various Ages, the rise and development of big Greek, Roman, Byzantine and Genovese settlements is worth mentioning. Ruins of Roman fortrScythia_Minor_map copyesses can be found at almost equal distance (one day walk) along the Danube at west and north; big urban settlements were developed by the sea, being established by Greek merchants starting with 7th BC: Histria – the oldest attested urban area from Romania, Tomis (the actual Constanta) and Callatis (the actual Mangalia). The power of the Roman Empire is also present through the monumental Tropaeum Traiani, from Adamclisi village, erected in 109 AD to glorify the winning Trajan Emperor against the Dacians. More recently, one can find remnants of the Genovese times by visiting Enisala citadel (late 13th century) build at the shore of Razelm lake.

Dobrogea is considered one of the cradles of Christian life in Europe, St. Andrew’s cave and first proofs of martyrdom (St. Epictet’s and St. Astion’s graves) being discovered here. Stone caves from the Byzantine times reflects the richness of the monastic life in this territory.

Several centuries of Otoman domination have marked Drobrogea by demographic and topographic means, majority of the villages still having Turkish names, eg. Denistepe (Black Hill), Babadag (Father of Mountains). The coming of the Russian communities of Lipovans in 18th century, along with others are completing this demographic variety that totals around 20 ethnic groups living in harmony nowadays. Each one keeps its tradition and customs unaltered and offers amazing life and culinary experiences to the visitors.

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I remember it was like yesterday, although 10 years have gone. We were driving on a side road in Cozia Mountain, on 24th December 2004 when Lionel shouted: STOP! In front of us, on a branch, a beautiful Ural Owl was looking to us. In a deep silence Lionel with his friend Jöel Bruèziere took few shots, and then the bird disappeared in the forest. After a search of decades, that was the first encounter of Lionel with the Ural OwlUralOwl, his “Christmas present”, like he used to say. President of Cercle Ornithologique de Lausanne from Switzerland, Lionel Maumary kept going traveling to Romania often, looking for birds and other wild animals, especially in Transylvania and Danube Delta. But, we didn’t see too many Ural Owls since then.

The Ural Owl has an extended distribution area in Europe and Asia, from Sakhalin, Japan and Korea in the east to Scandinavia in the west. In central Europe it is an upland species, preferring deciduous woodland. The population in Romania is stable at about 1000 pairs within the last years. It usually occupies open woodland and is more often found in moist rather than dry areas. It nests in hollow tree trunks, occasionally in old raptor nests, and increasingly in nest boxes.

Chouette_de_l'Oural_au_nidAs a celebration of 10 years since the first time he saw the owl, Lionel contacted me a while ago with this proposition to build and to fix few nests here in Romania at few locations were this bird was seen frequently. He financed the biggest part of the project and I was in charge also with the logistics. Therefore it wasn’t an easy task to fix them up at 4-8m, the nests being quite big (50x50x100cm) and heavy (12kg).

First location was chosen at Muntele Rosu (Red Mountain), named thus because of the carpet of red Rhododendron (Balkan Kotschy’s alpenrose heaths) that use to cover the heights of Ciucas Mountains every June. The owl was seen by friends of mine while they were there last DecemSUMunteleRosuber.

We fixed the nest on a big beech tree, facing the forest edge, which is guarded by majestic pine trees.

Then I call the owl, knowing there are reduced chances to get an answer. Surprise! It came after few minutes, arriving from the woods. SUCiucas_Bird_lat

Still too far, but I took a long shot.





Next place we went is near Brasov, on the way to Poiana Brasov resort. Here we had to change the proposed location because the area is affected by forest cuts. Close to the place we fixed the nest one can have a beautiful perspective over Brasov town, one of the seven important urban areas (aka citadels) – Siebenbürgen – of the so called Transylvanian Saxons, a Germanic population who settled here starting with the 12th century. In the middle of the old town we can distinguish the imposing building of the Black Church, considered the biggest Gothic church from SE Europe.

Somewhere in TransylvaniaWe continued our journey by going North at Dealurile Homoroadelor.   The region is inhabited in big proportion by ancestors of another ethnic group called Székely. They arrived in Transylvania a little earlier than the Saxons. Being considered the finest warriors of medieval Transylvania, the Székely were sent by the Hungarian leaders after incorporating this territory into the new Hungarian Empire, to settle the East Transylvania at the foot place of the Oriental Carpathians in order to defend the border against the invaders that might come from east. The landscape still presents a medieval land-use pattern –forested ridges and riverbed, pasture and hay meadows on gentler slopes and SUVarghis_Bird_Upterraces, arable land with smaller meadows oSUVarghis2n the flat valley bottoms near villages.

Here we’ve got help from Ambrus Lácá, an excellent and trustworthy local guide from Odorheiu Secuiesc. We set a first location for two nests. Before to begin we had a visit of a beautiful owl, but the evening light didn’t give me the chance for a good picture.

Next day we continued to advance to north, reaching almost 1000m altitude. The highest peaks of Harghita Mountains were very visible not far away. The weather was changing, a cold wind and a snow layer in the woods made us to realize we’re still in January.BearMarksSUCalonda2


Well, not too cold for the bears…

considering the fresh foot marks!

We were not very impressed, so we fix another two nests.

Maybe next spring we will have the chance to see owls and bears in the same location.

Then we head West, not Far West… Just close to Sibiu, another beautiful medieval town created by the Saxons, considered the second biggest urban center of the Habsburgic Empire in the XIXth century.

The location chosen here is a beautiful mixed forest, Dumbrava Sibiului, were the bird was seen by me in 2013.

Ural_Owl_June2013The last place we’ve been during this trip was in Cozia Mountain, to mark this 10 years milestone of a beautiful friendship I started with Lionel in 2004, when we’ve seen the Ural Owl together. I was able to identify the exact location, although at that time I didn’t have any GPS to mark the spot.

A funny moment was created by a buzzard that seemed to be very curious about us, while we were installing the nest. Anyway, the nest isn’t on his taste, I am sure he wasn’t interested to take it!



After a journey of three days, 8 nests installed, and 1000kms traveled we arrived home with the hope that the Ural Owl will appreciate our effort and find the nests appealing enough to become their new residences.

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Southern Transylvania – scenic landscape and living Saxon heritage

The landscape presents remarkable historical characteristics: fortified churches, authentic villages and varied traditional agriculture in equilibrium a wealth of wild flora and fauna. This type of countryside has been lost almost everywhere else in Europe.

(…)Transylvania is an agricultural treasure because it combines a wealth of wild fauna with the natural foods and quality produce of the local area. I believe that a place such as Transylvania could be an example for the whole world for the provision of ecological and healthy products.

Prince Charles, Prince of Wales


Romania’s significant German (Saxon) heritage is obvious in Southern Transylvania, home to hundreds of well-preserved Saxon towns and villages. Saxons came to Transylvania during the mid 1100s from the Rhine and Moselle Rivers regions. Highly respected for their skill and talent the Saxons succeeded in gaining administrative autonomy, almost unmatched in the entire feudal Europe of absolute monarchies. The result of almost nine centuries of existence of the Saxon (German) community in Southern Transylvania is a cultural and architectural heritage, unique in Europe. Transylvania is home to hundreds of towns and fortified churches built between the 13th and 15th centuries by Saxons.

This region, where they have lived for more then 800 years represents one of Europe’s last medieval landscapes, with probably the most extensive flower-rich grasslands remaining in lowland Europe, essentially unchanged for hundreds of years, in which low intensity agriculture coexists with an abundance of flora and fauna. The landscape still presents a medieval land-use pattern –forested ridges and riverbed, pasture and hay meadows on gentler slopes and terraces, arable land with smaller meadows on the flat valley bottoms near villages. This idyllic painting is completed by an astonishing diversity of wildflowers, and the continent’s richest large carnivore population of bears, wolves and lynxes.

Despite living in a country where the majority of the population consisted of ethnic Hungarians or Romanians, the Transylvanian Saxons were able to preserve their language and their customs intact throughout the centuries. Their formidable ethnic solidarity is vividly illustrated by their settlements, which remained resistant to external influences.

The towns of Sibiu, Sighisoara and Brasov form a triangle containing the greatest concentration of fortified churches in all of Europe, seven of them being inscribed in UNESCO list.

Saxons brought the habit of planned settlements in Transylvania. Their widespread and small villages had homesteads lined up on two rows along one street or square.

Although they have been inhabited, and, therefore, have evolved under the impact of the specific social and economic mutations, the density of the buildings that have a real ethnographic, historic and artistic value give the measure not only of the formal authenticity, but also of the historic substance and the architectural outlook.

Over the last centuries, the villages have preserved almost unaltered the original topographical structure of the site (street network, plot system). The design of these sites – regular street network, with compact fronts alternating the façades and the high surrounding walls, located close to the church placed in the middle – contributes to the definition of the cultural pattern of Transylvania.

The big settlements like Sibiu, Sighisoara or Brasov represents some of Europe’s best preserved medieval towns.

Sibiu offers the traveler an unforgettable trip through space – its narrow streets, commu­nicating courtyards, stone pavements – and time – in a medieval workshop-town, with hundreds of internal regulations. The Old town is divided into two parts: the Upper Town, home to most of Sibiu’s historic sites and several squares, then the Lower Town, lined with colorful houses on cobblestone streets and bounded by imposing city walls and defense towers. The Great Square had been once the place where fairs, festivities, trials and executions used to be held and where the town’s rich men lived. Worth to mention is also the Little Square, a former trade market – all buildings comprised here having arched columns at the ground floor, then the Huet Square with the majestic Evangelical Lutheran Cathedral (1520) in the middle of it. The cultural and artistic life from Sibiu was very vivid during the Middle Age, the first theater (1788) from Romania and the first museum from Central East Europe (Bruckenthal – 1817) being built here.

Another UNESCO World Heritage, Sighisoara represents the last European medieval citadel that is still inhabited. Although the region was inhabited since ancient time, the beauty of this medieval site comes from the Saxon settlers. The attractions include the Clock Tower (city landmark, 1556), the house were Vlad Tepes (Dracula) was born, the Church on the Hill (1520) with its 500 years old frescoes, the Church of the Dominican Monastery, known for its Transylvanian Renaissance carved altarpiece, baroque painted pulpit, Oriental carpets and 17th century organ.

Placed in the SE corner of Transylvania at the Carpathian foothills, Brasov provides a mix of mountain scenery with medieval history and architecture. The old town is a combination of Gothic, Baroque and Renaissance, among the most attractive buildings mentioned here being the Council Square with the former Town Hall (1420), the St. Nicholas Church (1495) or the Black Church (1383-1477) – the largest Gothic church east of Vienna and the most important Lutheran Saxon’s place of worship from Brasov.

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Maramures – customs and traditions

Land of wooden churches, mythological richness, impressive landscapes and very ancient customs, Maramures has carefully maintained the culture, traditions, and lifestyle of a medieval peasant past. With its strong rural character it attracts people to its villages, traditions and wonderful costumes, preserved here as nowhere else in Romania.

Named “Boldly Old World”, Maramures was included in National Geographic Traveler’s best trips 2015.

“…In the historic Land of Maramureș, the hills are alive with ways long forgotten elsewhere in Europe. “My cows don’t like grass that is cut with a machine,” Ion Pop says while harvesting his meadow near the village of Botiza. “They prefer the clean taste of handcut.”

The splendor is not just in the grass. In this remote northwest corner of Romania 300 miles from Bucharest, the schedule is set by the seasons, the weather, and tradition. In each of the five valleys, with their meandering rivers and haystack-dotted fields, life plays out as it has for hundreds of years—though one recent change is telling. Rather than asphalting roads that are mainly used by horse and carriage, Maramureș has newly upgraded its bike trails—pathways to experience the region at the pace it deserves.

Maramureș is a wooden world. The farm tools are made of wood, and wooden gates, chiseled with century-old motifs, form the glorious entrances to modest yards around wooden, steep-roofed houses. UNESCO-designated churches from the 17th and 18th centuries tell stories of faith and glory, saints and sinners, crime and punishment, through still vivid paintings on their wooden walls.

Many of the colorful wooden crosses at the Merry Cemetery in the village of Săpânța are inscribed with lighthearted epitaphs written in verse. They laugh in the face of death—and hence celebrate immortality. — Pancras Dijk, National Geograhic Traveler”

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Calusarii – the ritual dance

The Calusari dance is considered one of the fastest and most spectacular dances in the world and was included by UNESCO on the list of non material masterpieces of the universal culture.

The tradition of the Calusari comes from the ancient times of Dacia and even today still keeps its pagan core. Once upon a time, Calusarii were priests of a solar cult. Lead by a great priest, their dances were much more then an initiation, were an exorcism. The great priest was the one that was asking the god for help while leading the army of the Calusari in their war with the evil spirits that took over the villages. More so, they used to take a vow of silence, the only one being allowed to talk being the leader who at varied times was requesting them to release certain war calls.

The Calusari are described as groups of odd numbered men, sworn to stay together in celibacy and ritual dancing for a period of nine years. Their secrets are to be never known. They are feared warriors who fight the “iele” (“them,” magical dancing maiden fairies). They have to stay together for the sworn period to remain invulnerable and invested with the supernatural powers and if they break away from the group they would fall prey to the iele. But together, they can heal those possessed by evil spirits by performing their dancing and rituals around them.

FolkDanceAccording with UNESCO: ‘Performed in the Olt region of southern Romania, the Căluş ritual dance also formed part of the cultural heritage of the Vlachs of Bulgaria and Serbia. Although the oldest documented music used in this dance dates from the seventeenth century, the ritual probably derived from ancient purification and fertility rites using the symbol of the horse, which was worshiped as an embodiment of the sun. The ritual’s name derives from the Căluş, the wooden part of the horse’s bridle.

The Căluş ritual features a series of games, skits, songs and dances, and was enacted by all-male Căluşari dancers to the accompaniment of two violins and an accordion. Young men used to be initiated into the ritual by a vataf (master) who had inherited the knowledge of descântece (magic charms) and the dance steps from his predecessor. Groups of Căluşari dancers, Calusariisporting colorful hats, embroidered shirts and trousers adorned with small jingling bells, perform complex dances, which combine stamping, clicking of the heels, leaping and swinging of the legs.

The costumes worn by the Calusari are white, decorated with colorful sticks, hand made hankies, while the hats have beads and colored ribbons. The most important instrument is the flag, a four-five meters long stick on top of which are tied plants as garlic and wormwood, salt and white and red ribbons, sacred colors in the Dacian vision who connect the dance to the ancient rituals of Zamolxe.

The dance of the Calusari seems to be one of the oldest and most complex of the folk dances of Romania. The men who wished to enter the group of the Calusari came together outside the village, on the shore of a water, where, in a ritual, sworn to respect the rules of the group, including sexual abstinence. For ten days they live in a sacred time and space. During the entire period they wear a specific costume with bells on the legs, a stick, and sleep under churches to be protected by attacks from the Iele. The ceremony included magical practices and invocations, dances and ritual acts executed by the strictly organized group of men. After the ceremonial dances are finished at the end of the ten days, the men meet in the village, greet each other like after a long absence and life goes back to normal.
The dance of the Calusari, in the popular tradition, meets different functions including the magical transfer of the divine fertility through spells during the dance over salt for animals and a bowl with seeds for sowing in the fields. Other benefits were of speeding up the marriage and fertility of the young women who were admitted into the end dance, healing of the sick and the sending away of the Iele (malefic fairies) through the practice of warrior acts and the used of magical plants during the dance.

According to tradition, groups of dancing and chanting Căluşari, who were thought to be endowed with magical, healing powers, went from house to house, promising good health and prosperity to villagers.

Until today, Căluşari meet to celebrate their dancing and musical prowess on Whit Sunday. Testifying the rich cultural diversity of Romania, the Căluş ritual is also widely promoted at folklore festivals.



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Sânzienele (Midsummer Day)– a celebration of love and fertility

The feast of “Sânziene” would have originally a Roman goddess Diana cult, Sânziana name as local holiday known especially in Transylvania comes from the “Sancta Diana”, while in Walachia and Oltenia “Dragaica” is celebrated, after a Slavonic name. According to some experts, the holiday has its origins in ancient Geto-Dacian cult of the Sun, Sânzienele been often represented by the Thracians linked in a dance.
The Orthodox Christian tradition, June 24 is the birthday of St. John the Baptist, the son of an elderly Elizabeth and preparing miracle of a virgin birth of our Savior.
Sânziene Festival (June 24) is manifested by a variety of rituals to ensure wealth of fields, fertility of the married women and the possibility of the unmarried girls to dream the chosen one this particularly night.
On the basis of these rituals are small rose-yellow flowers, called Sânziene (Lady’s Bedstraw), growing in meadows and girls are gathered in music and shriek young men, to form a circle then weave for girls and boys cross. These crowns are put into the house, the doors, the windows, the barns, the hives, and even in culture, in the belief that they will protect the house and the household, will bring good luck, health and abundance.
These girls throw their crowns on a roof; those who remain trapped heralding marry soon. The crown is thrown also over the cattle: if a young cow is hit the girl will marry a young man and if is caught an old one, an old man will be elected.
There are a number of customs for predicting one’s future spouse. A girl who sees nine Midsummer fires will marry before the end of the year. To see the chosen one, the girls sleep that night with a bunch of these flowers under the pillow. Also, if they wear flowers in their hair or breast, girls and married women will become attractive and loving ones.

17Midsummer Day has a twofold meaning in Romania. One stands for the traditional Midsummer fairies that do a lot of mischief. The other is a reminder of the nice smelling flowers of Lady’s Bedstraw. Young girls make wreathes out of them and the boys cross-shaped braids. The flowers are then thrown into the cattle pen. If the wreath gets stuck on an old beast, the future spouse will be elderly. If the animal is young, so will the spouse be. On this day, the lads of Maramures (north-west Romania) go out in the evening holding fire torches which they move around in the sense of the sun in the sky. When the torches are about to go out the young men descend the hills, surround the plots, enter into people’s yards and give the torches to their parents to thrust them into the soil of their gardens. On the same day, in Moldavia, Walachia and Dobrogea, two or four maidens, two of them dressed as lads, perform the Wicked Fairy’s dance. The girls may be accompanied by a boy who plays the flute or the bagpipe and carries a banner on which colored handkerchiefs, bedstraw flowers, garlic and wheat ears are attached. In some villages, the Wicked Fairies wield scythes and fight among themselves.

Another procession usually is Dragaica escort – the most beautiful and quiet of the village girls, who roams along with other young dressed in white. At the crossroads, the girls stop and do a dance singing. It is also customary that girls and boys to be watered by that early morning walk through the village with flowers hanged on hats.
28Sânziene feast is a special moment for residents of several areas of the county Nasaud, some of them say that this day might even learn how to live longer. On the eve of the feast in the evening, the children gather Sânziene and lay them on the doors of houses, one for each family member. This is because one of which is said to be fading Sânziana second day will die before the others. In other places, Sânziene blend crown and discard the house: if it remains on the roof, at which it was intended can expect the worst.
In Sâncel village of Alba County, tradition requires that the night before the Nativity of St. John the Baptist, households decorate their doors with a cross and a flower of Sânziene (Lady’s Bedstraw). On Sânziene day, villagers gather on the field flowers and make garlands for each family member and for each animal in the household. Crowns family members thrown then a man on the roof, then shouting and name of the crown which it belongs. Village elders tell that every crown should remain on the roof, to defend the evil of which it is intended, and if you fall, that family member will go badly all year. Villagers throw then on the roof the crown made for the animal stables from the household, tradition saying that they will be protected from evil.
There is also a popular superstition those specific holidays, that people should not bathe and if not the magical forces will embrace around them.
On the other hand for the girls, there is a ritual of washing with dew. Have gathered at dawn dew on plants, inviolate places on a white cloth, and then squeezed into a new pot. Old ladies in charge of it, then they bring the dew in the village, not to mention the road and avoiding meeting someone. With this dew will wash the girls who want to marry quickly, but also married women who want to be loved by their husbands and have beautiful and healthy children.
A superstition which still refers to love, says that lovers are together dip in the river or at sea will be lovers for life.
In Transylvania they say that, on Sânziene day, old treasures can be searched buried in the ground, because the night before, above the place where are hidden would light a fire.
Sânziene Festival is considered to be the best time in the middle of summer, to gather medicine plants and the spell also. Thus, on the night of Sânziene, women go to pick flowers and herbs that will be used against diseases and other evils.
The initial significance of the custom compares the maidens to ripening wheat. Thus, a transfer of fertility between the two kingdoms, animal and vegetal, is achieved. Sickles that will pull down the plants symbolize the mowing of human lives, as well as the eternal duel between winter and summer, between the good and the evil forces. Sânzienele are bad pixies of the night in Romanian folk tradition. People think these pixies could influence future marriages. Every 24 June, in the Sânziene’s night, unmarried girls cut petals of a thistle flower. Then they keep that flower in a glass of water. They say that the faster petals grow back at the thistle she looks after, the bigger her chances are to marry the man she loves.Legends say that “Sânzienele”, some very beautiful girls who live in the woods or fields, are caught in dance and given magical powers plants. These fairies are good, if they are properly celebrated, bring fruitful harvests, help the girls to find the “chosen” one, give healthy babies to the married women, and heal the sick animals. But if people do not celebrate them properly, they become angry and evil fairies also known as Fairies or Pentecost.
Fairies are described as virgins with magical powers of seduction. It is believed they live in the air, in forests or in caves, on the banks of water or crossroads and occur mainly at night by moonlight, spinning in dance, in retreats, dancing naked, with disheveled hair and bells feet, in some ways. The place is still danced like fire and grass is burned and no longer grows anymore. It is believed that on Sânziene Night, Fairies gather and dance in the forest and who will see them will become mute and crazy.
Practices related to crowning, boys lighting torches, cakes called “torch of Sânziene” entitle the ethnologists and folklorists to consider this festival as one dedicated to the cult of the Sun.



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Spring traditions – The Trinket

The Trinket
The first Romanian trinkets are older than 8,000 years and were made of river stones, painted red and white. Red symbolizes life, hence the woman and white are specific with water and the clouds, hence the man. The trinket string expressed by interweaving the two symbols indicates their unity.

Through the countryside area there’s the tradition of the Old Woman Dochia, which is said she twisted two wires, symbolizing winter and summer, then hang a silver penny on them. The string was worn on the hand by everyone for health, wealth and beauty when the New Moon uses to arise in March. In our time the original meaning was lost and is worn in the chest, being made of all sorts of materials: wood, plastic, metal, paper, textiles etc. that binds a thin strap red and white thread.

In some areas of the country a string of silver penny is adorned to the child’s neck for good luck. In other areas the girls bears it on the neck and then link it to a blooming tree in late March, and the penny is used to buy cheese to get then a white and beautiful face. In the Bistrita (North Transylvania) area the boys are the ones who get and trinkets from girls and those from Sibiu area receive this gift only in leap years.

Baba (Old Woman) Dochia

Legend says that Baba Dochia was a nasty mother-in-law, who had tormented the daughter-in-law, asking her to do all sorts of things: to wash black wool until it is white, bring water to sieve, to bring strawberries on March, 1st … and God in the guise of an old man, helps the girl to fulfill all the commandments.

Seeing the basket with the strawberries, Dochia believe it’s spring and leaves for the mountains, with the flocks of sheep. Clad with 9 coats, Baba Dochia shakes off her furcoats one by one until remains dressed only in shirt. But on the 10th day, reached the top of the mountain, God gives a bitter frost, freezing cold and petrify Baba and sheep.

Tradition of the old women says you have to choose a day between March, 1st and 9th. And as the day the weather will be chosen, so will be your life that year. If it is sunny, you’ll be happy all year, if cloudy, then you have sorrows, and if the wind blows, you might argue. If it rains or snows is a sign of wealth.

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Spring traditions – Dragobete

Love, the force that sets fire to young hearts, has a day of its own in the Romanian folk calendar. It is February 24th when Dragobete’s day is celebrated.

Ever since ancient times, Romanians used to celebrate Dragobete on the 24th of February. It was a sort of Valentine’s Day. This is the time when nature wakes up from her sleep; birds look for places to build their nests, and people, especially the youth, follow nature’s course.

A mythological deity similar to Eros or Cupid, the son of Dochia, Dragobete is a handsome man who likes to indulge himself in love affairs. He isn’t mild like St. Valentine, but tempestuous like the Dacian god who was thought to celebrate in heaven the marriage of all the animals. This has later on extended to people also, and young people keep the tradition up to this day: boys and girls meet on this special day to make their love last. People believed that birds got engaged on Dragobete’s day. So the holiday has a quite deep motivation, if we come to think that birds were considered messengers of gods, the Greek word for “bird” meaning “heaven message.” Dragobete is also a deity of joy and well-being, prone to giving parties and festivities, which often ended up in marriage.
According to the Romanian common belief, those who took part in the Dragobete festivities were protected against any sickness all year-long. So: early in the morning, dressed up in their Sunday best, young people used to meet in the center of the village or in front of the church. If the weather was good, they would go singing in small groups to the forest, to look for snowdrops or other spring flowers, and if the weather was bad, they would gather at one’s place to play games and tell stories.

On this occasion, young people used to make symbolical engagements (sometimes followed by real engagements). In the forest, they would gather around fires and talk. The girls would pick up flowers that were thought to have miraculous powers, in order to perform special rituals for love magic. Young girls would collect the fresh snow that they could find on this day and turn it into water. The water obtained from the immaculate snow was considered to be a magic love potion, which girls would use throughout the whole year. At lunchtime, girls suddenly started running back to the village. Each boy would begin chasing the girl that he liked. If the boy was fast enough and the girl he was chasing liked him back, this chase was followed by a long kiss. This was the playful engagement of the two, meant to last for at least another year.
The village’s community was very interested in what happened on this occasion, because at this time of the year they could find out what weddings they would have to attend in autumn. In the afternoon they would have a great party, where everybody, be it couple or not, would dance, sing, have a good time because it was said that those who didn’t have fun on Dragobete’s day, or at least seen a person of the opposite sex, would not be able to find a partner for the rest of the year.

Women used to touch a man from another village on Dragobete’s day, in order to behave more affectionately for the rest of the year, and they would also remember to well feed the animals in the courtyard, the birds in the sky, and protect all living creatures. Young men often partied in the neighboring villages, in order to have real good summers.

So Dragobete was a holiday of love, full of superstitions and special rituals. It was considered to bear luck for all activities and human actions, not only the small things, but also the big businesses. Farmers believed that Dragobete could help them have a richer year. People would not work on this day, they would keep it just like a religious holiday. They resumed their work to cleaning the house and cooking. It was believed that the girls who worked on Dragobete’s day would be punished by this deity. Even if he sometimes “punished” the disobedient ladies, Dragobete was seen as protector of love, bearing luck to young lovers and young people in general, like a true Romanian Cupid.

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Bucharest – the Little Paris

Bucharest is located in the southeastern part of Romania. As with many Eastern European capital cities, Bucharest was built on the banks of a river – the Dambovita. The city has been the capital of Romania since the 19th century.

The first mention of Bucharest is in a document from 1459, signed by Vlad Dracula, then ruler of the first Romanian state of Walachia. Known as ‘Vlad the Impaler (or Tepes)’ (for leaving his enemies to die slowly on stakes) he became the inspiration for the famous vampire of literary and celluloid fame. Yet among his countrymen, he is something of a folk hero, renowned for standing up to the Ottomans, Saxons and Walachia’s noble families. The ruins of one palace attributed to him can still be seen in old Bucharest, where trendy bars and clubs also capitalize on his image, with cobwebs and dank underground dance floors.

After the Turkish conquest, Bucharest continued as a scene of rebellion and was burnt by the Ottomans, in 1595. A century later, it was made the seat of the Walachia government, by Sultan Mustafa II. The city was caught in the crossfire of conflicts between the Ottomans, Austria and Russia – the city was frequently occupied and destroyed until 1862, when it became the capital of a unified Romania. But after liberation, Bucharest began to forge a different identity, with French architects called in to remake it in the image of Paris, with long, tree-lined boulevards and a forging of classical and new Romanian architecture. Between the world wars, influenced by modernist trends from native artists who had lived abroad, such as Constantin Brancusi, Bucharest began to rejoice in a mixture of styles that would make it totally individual and produced some of Europe’s most beautiful residences for the elite.

This ‘romantic’ chapter came to a close when Communism took root in 1946. Although never heavily bombed by the Allies, in World War II, Socialist Realism ushered in dreary Stalinist apartment blocks, many of which remain today. When Nicolae Ceausescu became president of Romania’s Communist Party in 1965, however, he was so determined to create an imitation Champs Elysee in the ‘civic centre’ that he destroyed many historic buildings, including 26 churches. His plans were never completed but the strange combination of neo-Stalinist architecture nonetheless gives a nod towards the city’s avant-garde tradition. Oddly, all of these architectural incongruities afford an added dimension to the city today.

The city:
Romanian legend tells that Bucharest was founded on the banks of the Dambovita River by a shepherd named Bucur, whose name literarily means “joy”.
Playing the flute he amazed the people and his wine from nearby vineyards was very popular among the local traders, who gave his name to the place! As one of Europe’s most up and coming destinations, Bucharest has had to react quickly to its newfound status. As a result, there are a bevy of recently opened venues to eat, drink, shop, club and sleep.
Not only this, but standards are high and local residents have come to expect the best. From Piata Universitatii most sights of interest are easily accessible and equally the nearby Calea Victoriei is a great starting point for shopping particularly. These two landmarks constitute the central Bucharest area where many, though by no means all, of the most well-known restaurants and bars are situated. Walking in this part of the city is the best way to see Bucharest, but don’t be afraid to venture further north, east and west to discover many more treasures. Wander the tree-lined streets, take in some authentic folk art and sample a range of international cuisine.
Whether you want traditional Romania or contemporary city life, come and find it all here before the rest of the world does.


House of Press
Typical Russian architectural style, following the famous Lomonosov Moskow University, the build has been finished in 1956, hosting the siege of the Ministry of Culture, as well as many newspapers and radio broadcasting location.


The Triumphal Arch (Arcul de Triumf) In northern Bucharest, along Sos. Kiseleff lies Bucharest’s Triumphal Arch (Arcul de Triumf). Modelled on the triumphal arch in Paris, the structure was erected in 1935-1936 to commemorate the creation of Greater Romania which took place in 1918. It sits on the spot where two earlier arches stood: the first arch made of wood and cardboard was erected in 1878 to mark Romania’s independence from the Turks; the second arch made of timber was erected in 1922 to mark Ferdinand’s entry into Bucharest as the first king of Greater Romania. The current arch is built of concrete and granite. Portraits of King Ferdinand and Queen Marie decorate one face, while the names of battles fought by Romanians during the First World War can be seen on the other face. The portraits of the king and queen were destroyed dur ing the communist rule but they were restored in 1992. The sculptures decorating the arch were created by leading artists of the day, including Ion Jalea, D. Onofrei and Constantin Baraschi.

The Village Museum.
The most beautiful museum in open air. The Village Museum, lying in a specific Romanian setting, on the Herãstrãu Lake shore in Bucharest, is one of the biggest and the oldest outdoors museum in Europe. Its exhibits – genuine monuments including houses, pens, churches, water and wind mills, cloth mills, of great historic and artistic value – acquaint the visitors in two hours with the specific of the Romanian village. The objects inside the households – carpets, pottery, rugs, icons, furniture – point to the originality of the folk creation, the sensibility and care for the beauty of the rural people. After this wonderful visit where you will see how the houses look from every region of Romania, you can choose a region that you liked more and maybe, you will keep in mind that is a place in Romania you really want to go and see it live and beside this, you will feel the people, will see how they leave in their homes. You will eat their traditional food from the region, because every region of our country has different customs, architecture, traditions, they prepare the food in different ways and for shore they live different.

Museum of the Romanian Peasant.
This delightful museum (Muzeul Taranului Roman) opened in 1906 and is widely regarded as Romania’s best. A veritable treasure trove of pottery, icons and clothing, it also houses the fascinating Communism Exhibition and the ruins of an 18th century Transylvanian wooden church. Voted as The European Museum of the year in 1996.

Grigore Antipa Museum of Natural History
This fascinating museum has recently expanded and opened up areas to house some newly discovered curiosities. Full of stuffed animals looking a little startled and even a mammoth (dead) and some interesting rocks – or at least as interesting as rocks can be. The first floor deals with sea life and has a few examples of whales, dolphins and seals. Elsewhere you’ll come across a beautiful butterfly collection as well as a few cheeky monkeys and stuffed birds. You can currently enjoy an exhibition of living reptiles.

University Square (Piata Universitatii)
In the last 15 years University Square has proved to be a popular railing point at the time of national crisis as well as celebration: people gathered here during the 1989 revolution and the sad events of June 1990 and they continue to gather here every time the national team wins a soccer game (which unfortunately doesn’t happen very often these days). If you see a lot of people loitering around the underground passage entrance in front of the National Theater is because it’s probably the most popular meeting place in Bucharest. It’s a place buzzing with crowds and traffic, a true center of activity. The square is surrounded by interesting architecture starting with the University of Bucharest building on the square’s northwestern corner. Facing the university there are four statues of illustrious pedagogues and statesmen (but now they are moved them in Cismigiu Park for 2 years, because they want to build an underground parking). On the other northern corner, adjacent to the Intercontinental hotel, is the National Theater of Bucharest. Opposite it lies the beautiful building of the School of Architecture, behind a little square with a small fountain where people stop and sit when the weather is nice. On the southwestern corner of the square, the Bucharest History Museum traces the city history from the beginning to modern days and across from it lies the neo-Classical building of the Coltea Hospital and its lovely church. In the middle of the square, in a little island, there are ten stone crosses that pay homage to those killed during the 1989 revolution. Below the square there is an underground passage with shops and eateries which allows pedestrians to cross to from one side of the square to another and also leads to the subway station.

The University
Bucharest University is dominating one of the corners of University Square. The old building, in neoclassic style is facing Regina Elisabeta Boulevard. It was started in 1857 and finished in 1859. The buildings on the sides were built in 1912-1916. The University as an institution was created in 1864 by Alexandru Ioan Cuza, ruler of the newly united principalities, Wallachia and Moldova. All around the building you can find stalls selling secondhand books.

National Theater (Teatrul National)
The stocky building sitting on one of the corners of University Square is the National Theater. It was built in 1973 after plans by a group of Romanian architects. The old building of the National Theater was destroyed during the WWII. Originally the building had a different facade, modeled after the architecture of Moldova’s monasteries but in 1984 it was remodeled and got its present massive shape. The theatre has 4 performance halls.The National Theater is named after the Romanian playwright and short-story writer Ion Luca Caragiale (1852-1912). His plays made fun of the politics and politicians and of the Romanian society of that day. For example the play that is considered to be his masterpiece, “A Lost Letter”, written in 1884, describes a provincial government election won by a blackmailer. It’s amazing how his works have the same power today as they did a century ago. Not only that, but recently I saw one of his plays being performed in California and I was surprised to see how the American public of today can relate to his story written in 1880. Last, if you feel like having refreshment, you’ll find two bars located on top of the National Theater. One is an open terrace bar called “La Motoare”, open only in summer; while the other one called “Laptaria lui Enache” is open during fall, winter and spring.

Revolution Square (Piata Revolutiei).
Whilst Piata Universitatii saw some of the darkest days of Ceausescu’s regime, events at Piata Revolutiei heralded the beginning of a new age. This building now houses the Senate. Close by are the former Royal Palace, now home to the National Art Museum, the Romanian Athenaeum and the Athenee Palace Hotel, also the Kretzulescu Church. In August 1968 and December 1989, the square was the site of a two mass meetings which represented the apogee and the nadir of Ceausescu’s regime. The 1968 moment marked the highest point in Ceausescu’s popularity, when he openly condemned the invasion of Czechoslovakia and started pursuing a policy of independence from Kremlin. The 1989 meeting was meant to emulate the 1968 assembly and presented by the official media as a “spontaneous movement of support for Ceausescu”, erupting in the popular revolt which led to the end of the regime.

The former Royal Palace (nowadays the Art Museum)
The imposing building which used to be the Royal Palace is located in the Revolution Square (Piata Revolutiei), in the northwestern corner. It was first built around 1815 by Prince Dinicu Golescu and it underwent changes over several decades. The building was remodeled in 1882-1885 after plans by the French architect Paul Gottereau only to be rebuilt in 1930-1938 after being damaged in a fire in 1926. Starting with 1948 the palace houses the National Art Museum and it displays an extensive collection of Romanian and European art dating from the 15th to the 20th century. The building was damaged during the events of December 1989 and was closed for several years for repairs.

The Athenaeum
This is Bucharest’s most prestigious concert hall and one of the most beautiful buildings in the city. It was built in 1888 in neo-classical style after a design by the French architect Albert Galleron. The project was conceived by the diplomat Constantin Exarcu and the money for the completion of the building were gathered in a public collection in which people were asked to “give a leu for the Atheneum” (The “leu” being the currency of Romania). With its 40 m high dome and the Doric columns it resembles an ancient temple. The beautiful facade is adorned with mosaics of five Romanian rulers. On the inside there are scenes from Romanian history. This is the place to hear classical music in Bucharest. The resident orchestra is George Enescu Philharmonic.

Central University Library (Biblioteca Centrala Universitara)
The Central University Library is a beautifully ornated building located opposite the Royal Palace in the Revolution Square. The library was founded by king Carol I and the building was designed by the French architect Paul Gottereau, who also designed the National Savings Bank (CEC) building. The building was heavily damaged during the December 1989 movement but was later restored and now it looks really pretty.

Victory Avenue (Calea Victoriei)
Calea Victoriei is one of Bucharest’s most charming streets. It was built as a main road in 1692 under orders from Constantin Brancoveanu who needed a road to link his palace at Mogosoaia with the Old Court. In the beginning the street was known as Podul Mogosoaia – Mogosoaia Bridge – because it was paved with wood. In 1878 after the Romanian War of Independence the street’s name became Calea Victoriei.
Between the two world wars Calea Victoriei became one of the most fashionable streets. Following this avenue from Piata Natiunilor Unite to Piata Victoriei you’ll find some of the most beautiful buildings in Bucharest. Among these are Stavropoleos Church – on Stavropoleos str., few second away from Calea Victoriei, the National Savings Bank or CEC building, the Art Deco Telephone Palace, the Cretulescu Church, the Central University Library, the Romanian Atheneum, the Royal Palace which t oday houses the National Art Museum and the Cantacuzino Palace.

Cantacuzino Palace (Palatul Cantacuzino)
This palace was designed by the architect I.D.Berindei in French baroque style and construction was started in 1899. Above the main entrance there is a giant shell-shaped porte-cochere; two stone lions guard the entrance. George Enescu – Romania’s national composer – lived here for a period of time. The building belonged to his wife Maria Cantacuzino. In fact Enescu preferred a life of simplicity and he and his wife chose to live in a smaller town house that previously housed the administrative staff of the palace; this house is located behind the main palace. Nowadays the palace houses the George Enescu Museum which displays the musicians manuscripts (scores of his compositions) and personal belongings like one of his first violins.

The Army Club (Cercul Militar National)
This highly ornate building was designed in French neo-Classical style by Dumitru Maimarolu, Victor Stefanescu and Ernest Doneaud. Construction started in 1911 and ended in 1923 with most of the funds being donated by the Romanian Army officers. The Army Club replaced the monastery church of Sarindar which used to sit here.

Romanian Savings Bank or CEC Building
This beautiful building was designed in eclectic style by the French architect Paul Gottereau. Its construction began in 1894 on the site of a 16th century monastery Sf. Ioan cel Nou. This was the only bank that was allowed to do business during communism.

Villacrose and Macca Passages Villacrosse and Macca passages are two pedestrian alleys roofed with glass and wrought iron and lined with shops, cafes and restaurants. They were built at the end of the 19th century. Entrance from Calea Victoriei across the police headquarters and from E. Carada Street.

Lipscani District.
Lipscani, Bucharest’s historic centre, retains an old town charm which is almost irresistible! It is located between Calea Victoriei, Blvd. Bratianu, Blvd. Regina Elisabeta and the Dambovita River and its collection of winding streets boasts antique markets, bric-a-brac spilling out from tiny boutiques and some of the city’s most appealing restaurants and bars.

Old Princely Court.
During the early middle Ages, Bucharest became a commercial center; important enough to enable the XIV century princes to build the Princely Court – known as “The Old Court” – which constituted the nucleus for the development of the medieval town.
The first mention of the name of “Bucharest” is dating from September 20, 1459: the mention appears on a document issued from the chancellery of the famous Prince Vlad Tepes (the Impaler). According to the legend, he kept his prisoners beneath the court! What remains today are a few walls, arches, tombstones and a Corinthian column. Here stands also Bucharest’s 16th century Old Princely Church (Biserica Curtea Veche), the city’s oldest church. Original frescoes and Walachia architecture are among the star features in this ancient site.
By the year 1599, a new Princely Court is being built, and several churches were raised by the end of the 16th century.
During the 17th century, the princes Radu Serban (1602-1611) and Radu Mihnea (1611-1616 and 1620-1623) worked intensely in renewing the town.
Matei Basarab (1632-1654) repaired the Old Court, and built the churches “of the Saint Apostles”, Sarindar and Plumbuita.
By 1640, because the royal relations with the Turks worsened, Matei Basarab moved his Capital back to the town of Targoviste.
Bucharest still remained a princely residence. In May 1654, the Prince Constantin Serban Basarab (1654-1658), Matei Basarab’s successor entered Bucharest for a short period of time, as, after the revolt of his mercenary troops, in February 1655, he left Bucharest to Targoviste, ordering Bucharest and the Old Court to be set of fire.

The Parliament Palace
The Parliament Palace is the second largest administrative building in the world after the Pentagon regarding its surface, of 64.800 km2. It was built between 1984 and 1989 on the place of some monasteries, that were demolished, and of the Uranus Hill, that was leveled to the ground, in the center of Bucharest, by a team of architects led by Anca Petrescu. It was destined for the members of the Communist Party; Ceausescu planned to make beside the offices, personal living places; so that its surface would have been bigger. Presently it houses Romania`s Parliament. The People`s House has a rectangle shape, with impressive dimensions: 270 m at the façade, 240 m on the side, a height of 84 m and a depth (under 0 m) of 92 m. It has 12 stories, four underground levels and a nuclear bunker (a secret subway line connected to the Bucharest subway was meant to be constructed), 1.100 rooms: offices, reception halls, scientific, cultural and socio-politics manifestation rooms. It has two monumental galleries of 180 m length and 18 m height. The largest hall is the Unification Hall that has a sliding ceiling through which can enter a helicopter. The hall`s carpet weighs 14 tons and was woven on the premises with special build machines created for the purpose. Around 3.500 tons of crystal were used for the chandeliers. The biggest chandelier is the one in the small Parliament hall, it weighs three tons and 7.000 light bulbs are used for it. After the Revolution the building was meant to be blown up, but the costs would have been huge. Most part of the building is not used. It houses 440 offices, dozens of conference rooms, the largest are between 1.000 and 1.500 m2 each. It has two halls of over 2.000 m2, two conference rooms with a capacity of 1.200 seats and 850 seats. All these have a surface of 265.000 m2 . Regarding the built volume: the People`s House is on the third place in the world (2,55 million m3) after the building of Cape Canaveral (in the U.S.A., where cosmic rockets are assembled) and after Quetzalcoatl`s Pyramid from Mexico.

The Union Square (Piata Unirii)
The Union Square (Piata Unirii) is where the downtown starts. Two of Bucharest subway lines intersect here and the square is the site of one of the city’s department stores, Unirea. Unfortunately this place was also Ceausescu’s playground for experimentation, as the square was caught in his plan for “urbanization” and creation of the ugly soviet style Civic Center. To make way for his Civic Center Ceausescu ordered the demolition of all the buildings located in and around Unirii Square. The Brancovenesc Hospital, the Sf. Vineri Church, the Sf. Spiridon Church, the Vacaresti Monastery and many others historic buildings and monuments as well as lots of private houses were virtually wiped out. It’s worth coming here and seeing the Civic Center just for realizing how ugly the architecture is (the blocks of apartments are just ugly, but the fountains along the Unirii boulevard are truly hideous).
The building complex from the Metropolitan Hill
This building complex made up of the Palace of the Patriarchy, the Patriarchal Residence and the Patriarchal Cathedral is situated on the site of “Holy Emperors Constantin and Elena” monastery, foundation donated to the Metropolitan of Walachia by ruler prince Constantin Serban Voda (1654-1658).
The metropolitan played an important role in the Assembly of Walachia, in the second half of the 19th c., and as a consequence all the important historical events in Walachia took place on Dealul Mitropoliei; it is worth mentioning that on the 24th of January 1859 the Elective Assembly of Walachia presided by metropolitan Nifon in the former Assembly of the Deputies hall voted the act of the union of Walachia and Moldavia by electing Alexandru Ioan Cuza as unique prince of the Romanian Principalities.
The monumental building of the Palace of Parliament, now the Palace of the Patriarchy, was built according to architect I. Maimarolu plans, being the first reinforced concrete construction in the country. In time it suffered modifications, the most important being the reconstruction of the cupola, that fell down during the earthquake on the 10th of November, 1940.